That same decade, he got to see another one of his plays get the big screen treatment. In the ’90s, Webber unveiled two musicals: 1993’s Sunset Boulevard and 1996’s Whistle Down the Wind. He was basically the Quincy Jones of Broadway. As of this writing, Phantom holds the title with 13,015 performances.Įvery musical in the world wanted a piece of Webber’s talent. Cats and Phantom would go on to be some of the longest running Broadway musicals of all time. Evita earned seven Tony Awards, including Best Original Score, in its original run. All three musicals became iconic in their own right. The music of the nightįollowing Jesus Christ Superstar, Webber continued his theater domination with Evita, Cats, and Phantom of the Opera. Superstar was written like a radio play because that was the closest thing we had available to us,” he told Rolling Stone. “Nobody thought it was even remotely possible to produce onstage, and the record company, MCA, said they’d like to do it. In its earlier stages, Webber didn’t think Superstar was fit for the big stage. The two worked on the musicals The Likes of Us and Joseph and the Amazing Technicolor Dreamcoat. In 1970, they gained fame with the rock opera Jesus Christ Superstar, which hit Broadway a year later. Nothing came of my burgeoning pop-song-writing career at that point, but Tim was to become my most enduring writing partner,” Webber states in his autobiography Unmasked. “I first met Tim Rice aged 17 after he wrote to my agent – who I had acquired when a number of songs I’d written were sent to Decca – offering to write lyrics to my music. At the age of 17, he was introduced to frequent collaborator Tim Rice. With the help of his aunt Viola, Webber decided to focus on making compositions for musicals. His younger brother Julian joined him in the musical game as a cellist. His father William composed music, and his mother Jean was a pianist. For Webber, his interest in music stemmed from his upbringing. He was busy writing musical compositions when he was only nine years old. As a kid in London, Andrew Lloyd Webber didn’t spend his time conversing with other children.
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